The porch: the soul of Bologna

Copia di Portico Santuario M. di S. Luca - Bologna

In Emilia, there are two recurring aspects in all of its cities, from Piacenza to Ferrara. The bicycle and the arcades. We, Emilians, love cycling. We use it to go to school as kids, to go to work as adults, and to hang out with friends. However, this story is not intended to be a story on cycling in Emilia, but on the presence of His Majesty: the porch.

An architectural element that we can find in the historic centers of the cities. It is such a familiar presence to us and part of the landscape, just like the sun and the moon shining in the sky.

Copia di Portico - Bologna

There is a city, in particular, that encompasses an endless variety of porches as well as having the longest one in the world. The city is Bologna, our regional capital, birthplace of the first university of the western world, and where good food is king.

Copia di Portico S. Stefano - Bologna

Walking through its streets is like visiting an open-air museum.
The porches are an element that make the city unique, that even the famous French writer Stendhal fell in love with Bologna and its arcades so deeply that he wrote in one of his novels: “Frequently, at two in the morning, while returning to my accommodation in Bologna, walking through these long arcades, while the soul is exalted by those beautiful eyes I had just seen, and passing in front of those buildings of which, with its large shadows, the moon drew the masses, I happened to stop, overwhelmed with happiness, and tell myself: “How beautiful!”.

Heritage and Landscape

The Romanesque soul of the Po Valley


There is a place, right in the heart of the Po Valley, far away from the traditional tourist routes, a small town about ten km from Modena, which holds great treasures; its name is Nonantola.

An unusual journey that expresses the beauty of a little known land, able to portray the ancient architecture and transmit sets of emotions with its historic buildings, its abbey, its museum and its ancient villas.

Nonantola was established as a Roman colony and it jealously still preserves its signs. A destination that owes its fame to the Middle Ages, and that’s deeply linked to the Benedictine monastery of St. Sylvester, founded in 752 A.D. from the Lombard Anselm.

The air is chilly, we are in the middle of autumn and the colorful foliage of the trees joins us in our visit. A carpet of brightly colored leaves appears as an elegant path that leads the way to the beautiful treasures of the place. A light scent of wet grass and the distinctive flat landscape of the Po Valley, welcome us with a veil of melancholy. In order to understand the history of this town, we have to enter into the streets of the center to discover its squares and its palaces. The old town looks like a painting, with its Clock Tower, with its Piazza del Pozzo enclosed on three of its sides by buildings that, since the four hundred, housed the room in which the Council of the City used to meet.

Our eyes are drawn to a beautiful building showing typical eighteenth and nineteenth century lines: The Residence of the New Agrarian Partecipanza of Nonantola, the town hall until 1898.

Inside the building it is preserved the important archive of the Agrarian Partecipanza of Nonantola, while a permanent exhibition tells the tales of this ages-old institution and its evolution over the centuries. We go along the main street of the old town, Via Roma, where we can observe some beautifully crafted buildings, including Palazzo Previdi.

We are in the heart of the village, in the Caduti Partigiani square, where the complex of the ancient monastery stands out as beautiful example of Italian monastic centers.

The central element is the Abbey of San Silvestro, one of the most significant examples of Romanesque art in northern Italy, together with the Cathedral of Modena.

A stately structure divided into three naves which enchants with its majesty. In the past, the abbey church represented the heart of religious and cultural center of medieval Europe. That’s right, in a small village located in the Po Valley, you can witness 1300 years of history and art, a heritage symbol of gone by eras. Since its creation until the birth of Commons, the Abbey has delighted in the favor of emperors, especially during the reign of Charlemagne and the Carolingians.

On the outside, the façade is dominated by the prothyrum, supported by two columns bearing-lions, and it frames the beautiful Wiligelmo portal.

Once through the portal we are overwhelmed by that sense of suspension, of vastness that the abbey has the power to release. We are impressed by the inside, manifesting itself solemn and austere in its simplicity, punctuated by massive pillars that converge towards the main altar (XVI century) dedicated to San Silvestro. Stop, think and admire – this is how this ancient abbey continues to guide and encourage us.

Its splendor lies in its enormous dimensions, in its colorless serenity and in its austerity.

Guided by our astonishment, we arrive to the crypt, where his 64 Ancient stone columns seem to smooth the intensity of the passing of the centuries. The lights and shadows change as if they were alive, and here the voice of the abbey is powerful and regal. There is not a single centimeter of these walls that doesn’t show sign of his glory days.

Another treasure that awaits for us is represented by the Museum of the Abbey. It is located in the Abbatial palace, the building of the ancient monastery.
A part of this Museum preserves some beautiful works of art that come from the churches of the Archdiocese of Modena-Nonan- tola. The other part shows the “Abbey Treasure”. The Museum shows famous parchments: the principal two are a donation of Mathilda of Canossa, dated 1108, with her characteristic signum, and the parchment of Charlemagne of the year 798, bearing the well-known monogram of the founder of the Holy Roman Empire.

Our journey has come to an end. Every moment spent in this village of the plains was a valuable experience. An infinite microcosm that we captured in our minds, like a photographic lens, where the simplicity of daily life meets with the magnificence of the art and history of Italy.

Heritage and Landscape

The Cavallerizza Ducale architecture masterpiece

It’s a spring morning, one of those days when the air is scented with freshly cut grass and the trees are starting to blossom, close to marking the end of winter and the arrival of springtime. Our tale takes us along the atmospheric streets of the historic centre of Sassuolo, a small city on the provincial border between Modena and Reggio Emilia, which has gained acclaim worldwide thanks to its famous industrial district for the production of ceramic tiles. However Sassuolo not only boasts a manufacturing tradition, now synonymous with innovation and cutting edge technology, but is also host to a remarkable heritage of historical buildings, gardens and residences dating back to past eras.

Copia di IMG0007

Despite the inexorable passing of time, these locations remain standing before us, testimony to a past splendour that today have been restored thanks to the love of its residents, such as the Cavallerizza Ducale, regaling us with its enchanting style right in the centre of the city, just a few metres from the Palazzo Ducale. This is an extraordinary building, amazing visitors with its charm and expertly renovated architecture, where the spirit of the past lives in harmony with the modern surroundings.
Here we enter the building, to discover its innermost secrets. A journey that takes us back to the times of the Estense Duchy when the noble family governed in this area of Emilia. In fact the Cavellerizza Ducale was built between 1781 and 1788 on commission by Duke Ercole Rinaldo III to remedy the lack of stables and lodgings for the “Dragoni Ducali” (armed corps) that followed the Estense Court when moving to the palace in Sassuolo. This building was part of the “Delizia Estense” (Estense Delight) together with the Palazzo Ducale of Sassuolo and the surrounding buildings, used as the summer residence.

From an architectural point of view, the Cavallerizza features an imposing wooden roof with two slopes, supported by 23 trusses, while the northern façade displays graffiti painted walls as a backdrop to the view of the Peschiera from the Palazzo Ducale. An extraordinary and impressive work with a unique identity. It was once the “Teatro delle fontane” (Theatre of Fountains), where visitors could admire marvellous water features for the pleasure of the audience, who sat on benches clad in tufa stone and shells, while the scenic background provided a view of the “Estense mountains”, from which sprung fountains below the peak, still seen today, of the “Aquila Estense”. A noble and highly valued symbol that identifies the coat of arms of the Duchy.

Sadly the history of this building has not always been so glorious, having been left in serious neglect over the years.
New life has now been given to the Cavallerizza, which as well as being used for community and cultural initiatives, has also become the elegant and original headquarters of Studio Pincelli & Associati, which together with Mr. Stefani, Chairman of the System Group, a leading industrial automation company, were the star actors in this ambitious restoration project, started in 1991 and completed in 1998. Behind this restoration work hides a story of passion and love for the city of Sassuolo. A gesture of respect and sign of deep attachment to this area, which occupies an important place in the hearts of its benefactors, who through the restoration of the estate, aimed at restoring dignity and magnificence to one of the most fascinating buildings of the city. The architectural restoration of the Cavallerizza Ducale hides another important aspect: the desire not only to restore ancient walls and bricks for a question of appearance, but also the wish to restore the social value of the building, to become a reference point for all those living in Sassuolo. The functionality regained through this work make the building an integral part of the city scene, where people can meet and socialise.

We would love this journey never to end. A little like when we turn the last page of a great book that has thrilled us and accompanied us in this adventure, in the same way, room after room, we reach the end of our visit. We stop in front of the Peschiera, wishing to imprint this extraordinary work of art on our minds, set against the open sky that surrounds us with its history, nature and culture. We carefully observe, in a desire to relive the era from the distant past and retrieve the signs of the past to blend with the present.
The Cavallerizza Ducale is an example emblematic of architectural restoration, embracing both the contemporary and antique. A sublime art form that expresses the culture of its people and its new identity as a living and functional venue.

The sun shines high in the sky, and it is now lunch time, where the narrow streets of the centre, previously enlivened by people coming and going, are now hushed in tranquillity. The time has come to make our way home, taking with us memories of an experience strolling through history, but with no time machine; here the memories simply transport us into the past, while dreams project us into the future.

Photo Credit: Matteo Piazza

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Art, Culture

The fragrance of memories

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Memories of childhood transform magically into inspirational muse, in a world to describe through the fifth sense: smell. This is how the story of the fragrances of Terra Moderna 1955 by Daniele Cappello Riguzzi began. It’s a story that starts from a long time ago and which finds its origins in Emilia, in the hills at the gates of Modena, and more precisely Castelvetro, the small village composed of a handful of houses which stand among the Lambrusco hills. The fragrances of Terra Moderna recount through their fragrances moments that belong to the collective imagination, memories linked to a specific territory such as Rosso Zocca, Azzurro Adriatico, or the tradition associated with the Lambrusco wine-making process such as Vinaccia Lambrusco.

Lived experience transforms and becomes a fragrance that its creator has sought to encapsulate in precious perfumes. The collection is, in fact, composed of a limited number of reproductions and is in continuous evolution. The emotions that are triggered by the sight of a landscape, the feelings that come to mind smelling a certain fragrance are a living and infinite identity expressed in the great passion and art of perfumery. The simplicity of wearing perfumes so rich in meaning implies a considerable elegance, and it is for this reason that Daniele distributes his perfumes through a careful selection of sales outlets, which are able to recount the magic behind this business project which has won the enthusiasm and curiosity of an international public.

It’s a passion pursued with tenacity and which has required life choices and changes on the part of its creator who, after having worked for several years as a professional in internationally famous companies,  at the age of 50 decided to make a clean break and change direction, following his instinct and distinctive original spirit.

TerraModerna was born in Emilia, marking an indissoluble link between its founder and the places of his childhood, where the most humble of fragrances can trigger memories tied to the territory. Daniele captures those emotions in his perfumes and recounts his story through their alchemy.


Translation by Blue


A Christmas Carol in the Upper Via Emilia


I will honor Christmas in my heart, and try to keep it all the year” Charles Dickens

Thus wrote Charles Dickens in ‘A Christmas Carol’, an extraordinary work that has inspired us to dream, charming and enchanting us with its dialogue and characters. A masterpiece of literature that we re-read or watch once again every year before Christmas, as if wanting to stop time and go back to our childhoods to relive the excitement and sensations of when we were little. This wondrous story accompanies us in this new chapter, dedicated to the Christmas markets of Via Emilia, where past, present and future fill the streets of old city centres and small villages in the hinterland. Our story begins in the upper part of Emilia, in the area of Piacenza, marked by the flow of the big river and where hilly landscapes alternate with vast plains.

A few kilometres from the Emilian city we find a small village with immense touristic appeal, the village of Grazzano Visconti. A place that fills young and old alike with wonder. It is a reconstruction of a medieval town that has brought the traditions of its past into the twenty-first century. It is not by chance that it is known as an ‘unreal village that truly exists’ and is the strongest tourist draw in the province of Piacenza. In this village, people still work word and iron and produce pottery according to the teachings of unwritten culture and learning, passed down, or better still, whispered from father to son. Here, the love for creative artisanship still reigns supreme, while the village is protected from the ravages of time, with style and passion, by the current owners, the descendants of Duke Giuseppe Visconti of Modrone.

Grazzano4Photo credit: Natale a Grazzano website

In this little corner of Emilia, one finds a Christmas market that attracts visitors from all over Italy and beyond. The stands present the artisanship and know-how of creatives and artists who proudly display their wares, created to celebrate Christmas. The atmosphere is surreal and the village is wrapped up in the scents of Christmas and winter. Grazzano Visconti in all its beauty. A picturesque setting enriched by the musical notes of Christmas songs played throughout the village, which is surrounded by a park filled with a vast variety of vegetation, offering a stunning natural spectacle at the changing of the seasons.

The market of Grazzano Visconti is open from 6 December to 6 January. Games, manger scenes and Christmas decorations are the heart of the event, which is now in its second year. Admission is free!

Now we will head down the main road leading to Fidenza, in the heart of the Terre Verdiane. This town is located halfway between Piacenza and Parma, and is proudly home to a masterpiece of Romanesque-Po architecture, the cathedral, which dates to the late 11th/early 12th century and is considered a pilgrim temple par excellence. Every year, the roads of the town’s old centre host a Christmas market featuring the arts and trades, where artisanship reigns.

And from Fidenza, we head to the city of music and good food par excellence: Parma. Its elegance, historical monuments and sumptuous palazzos welcome us to the city centre and open up the path to workshops from times gone by, alternating with stunning, fine boutiques. Parma is a dynamic, welcoming city, and its Christmas market in Piazza Ghiaia is a tradition not to be missed!

A symbolic site in the city, in the past as much as in the present, the heart of commerce and exchange, it was recently modernised with major urban renewal work resulting in the new architecture in Piazza Ghiaia between 2010 and 2012.

Photo credit: IAT Parma

At the end November and for the month of December, the site hosts more than sixty exhibitors, offering their masterpieces of artistic craftsmanship, objects and antique furniture and tasty seasonal delights, like roasted chestnuts, aromatic brittles and traditional treats, all to be enjoyed while wandering among the colourful, festively decorated stands. Admission to the event is free and it is open from 9 am to 7 pm (6, 7, 8 and 13 December). For the feast of Saint Lucy, on 13 December, the programme will be expanded to include a charming village of old and rural trades. An opportunity to see the work of expert hands, showing how butter used to be made, how people used to wash laundry with cinders and how the ‘rezdore’ (ladies of the house) in their traditional clothing prepare typical Christmas dishes, like savoury stuffed Cappelletti pasta and sweet stuffed Tortél Dóls di Colorno pasta, for the delight of food lovers.

An event that presents Parma filled with Christmas joy, offering a magical, unforgettable experience.

Translation by Blue.

Home Italian Living

Rural charm


In our wanderings in search of places, people and traditions to share, we discovered a farm just past the Emilia border, in splendid Tuscany. More specifically, in the Siena countryside, where you will find landscapes so celebrated and famous that they even appear in foreign films set in Italy. Tuscany, a land of generous, gentle hills, where rows of majestically elegant cypresses reign.

A landscape that when seen in person will fill you with an infinity of emotions, bewitching your eyes with its sublime beauty. And in this corner of Tuscany, we also found a little bit of Emilia. During our trip, we discovered that a studio of young architects based in Bologna, Ciclostile, gave new life to an old cottage in the countryside, right here in the heart of the Crete Senesi. The cottage is called Podere Navigliano and we are eager to tell you about it.

Podere Navigliano is an antique tuscan farmhouse in the heart of Sienese Clays where nature and history are the undisputed protagonists. This project is the evolution of thought Smallness which characterized all previous projects of the office.
In this case especially the materials but also the attention to the historical context and the environment are at the heart of the project; the reinterpretation of traditional elements has allowed to find a new language, a new aesthetic inseparably linked to the tradition.
Smallness in this context means the ability to find, edit and innovate materials, construction techniques and technologies specific of the site. The design effort was aimed at the definition of a project that can interact with the environment and the tradition but at the same time able to surprise showing a new beauty, rediscovered in the elements of tradition itself.

Particular attention was paid to the choice of materials and in particular the floors are the key element of the intervention. The choice of floors and their positioning reflects the philosophy of the intervention.
On the ground floor, intended for local service, was selected the resin that is adopting the previous clay pavement and well suited to the new features. In the living area on the first floor had originally brick floors of low quality, following the demolition of all interior floors for structural reasons, it was decided to revive the brick; our research has led to the choice of different stock of brick recovery of the same size mixed in a new pattern to obtain a more appearance.

On the first floor and the second floor, in the bedroom, we have tried to reinterpret the tradition of woodworking proposing a cross and a diamond design recreated with the same logic of the brick floor, by assembling elements from wooden planks recovery of different essences, thus obtaining a pattern varied and uneven.

All the walls are finished with natural lime lying in traditional way in an irregular manner; to emphasize the beauty of the material has been chosen was decided not to paint the walls but to let the natural colour of lime.

All external facades have been treated and restored with the same lime and reproduce the aesthetics of its place except the facade of the main entrance that for structural reasons, it was rebuilt, in this case it was decided to change the system facade by inserting the element of jealousy used to illuminate the stairwell behind.

The project involves the renovation of a farm of 600 sqm spread over three levels: a ground floor that was used as a stable and service areas for agriculture, a first floor that housed two apartments and a second floor, consisting of two turrets, at the service of the apartments. Through a new arrangement of the interior was recreated a single dwelling trying to respect the essential characteristics of the traditional type, which is why in the ground floor have been localized service spaces (tavern, laundry, SPA, garage), in the first floor the living area that overlooks the valley to the south and two suites that overlook the most intimate private garden, in the two towers were located the most valuable suites.

Photo Credit Fabio Mantovani.
Heritage and Landscape

A Taste of Fall in Emilia


Italy, a country well-known for its beauty, hides undiscovered neighborhoods far from the typical touristic routes. In Emilia, the region surrounded by Lombardy, Veneto and Tuscany, there are places that are so surreal and beautiful that when you first see them, you think they must be from a children’s fairytale. Yet, the tiny village of Levizzano Rangone, just a few kilometres from the city of Modena and home to Ferrari’s Maranello Racetrack, may look like it has popped out of a storybook with its enchanting landscape of vineyard lined hills. When we entered Levizzano, we were welcomed by the ancient fortress with its blend of elegance and mystery that reminds us of the past, of brave knights and ladies in extravagant clothing. The Castle displays all of its splendor within its old brick walls, together with its Matildic Tower. The manor is located in the heart of the Lambrusco countryside, and dominates the beautiful landscape of hills which surround it. The building dates back to the XII century, and reveals the feudal architecture of the time.
A wonderful place that we decided to reach on two wheels, riding our beloved Harley Davidson with our faces caressed by the cool breeze, while the scent of the fall leaves accompanied us on our journey.

Castello Levizzano
The colors of fall attract leaf-peepers from near and far who come to marvel at the beauty and appreciate this magical time of the year. The perfume of just picked red grapes in the air announces the grape harvest!

Grappoli d'uva
The historical heritage of Levizzano Rangone is represented by its feudal castle and its watchtower which welcome visitors to the village. It is possible to take a tour of the castle throughout the year, and stop for lunch in one of the several “Trattorie”, where home-made traditional food is served in a rural, family atmosphere. We had Gnocco Fritto with Prosciutto di Parma and Mortadella and as first course we chose Tortelloni with ricotta and spinach and Tortellini. A yummy lunch combined with a glass of Lambrusco Grasparossa, from a native country farm.
Upon arrival in this little piece of land, our attention was captured by the silence of the countryside, interrupted only by the sound of tweeting birds. The atmosphere invited us to close our eyes and enjoy the smell of burning wood coming from the fireplaces, of the small houses around the castle beneath the soft rays of the afternoon fall sun.


Home Italian Living

A house, a city, a friendship

Palazzo gotico-PHTagini

There is special city standing at the entrance to Emilia: Piacenza. A city that Leonardo da Vinci described as a “land of passage”, nestled among gentle hills, between the banks of the great Po River and the Apennines. In this post, we want to tell you the story of a singular residence found in the heart of the city of Piacenza, in Piazza Duomo, with its privileged view of the cathedral of Santa Maria Assunta.

Piazza Duomo, Piacenza. PHTagini

Piazza Duomo, Piacenza. PHTagini

A flat that roused our curiosity for its simple, clean style and attention to detail. Giovanna Cavalli is the architect, the creator of the restoration who so expertly and successfully responded to the artistic character of the flat’s owners: Mauro Sargiani, writer and creator of artisanal furniture, and Claudia Losi, an internationally recognised artist.

Casa Emilia – Ph. Daniele Signaroldi

A name, Casa Emilia. A city, Piacenza. A place, Piazza Duomo. These were the three clues that led us to the discovery of this delightful flat on the first floor of a historical building in the old centre of the Emilian city, at the corner of Via Chiapponi. The first time we saw Casa Emilia, it was on a famous website dedicated to architecture and furnishings and, curious, we wanted to discover its story. From the very first moment, our attention was captured by the light-filled spaces and large windows standing out in all their beauty, thanks in part to the wrought iron grilles in Art Nouveau style.

Casa Emilia – Ph. Daniele Signaroldi

Casa Emilia presents itself in all of its uniqueness; its rooms are graced with furniture designed specially by the owner, and even the pivoting doors are the fruit of his genius. The spaces are made to seem especially spacious through the decision to maintain a minimalist taste for the furnishings. It is an elegance that brings to mind modern design collecting.

Casa Emilia – Ph. Daniele Signaroldi

The walls are white and wood is the preferred material, in harmony with the floors covered in colourful ceramic and “cementine” tiles that Giovanna was able to masterfully salvage, as with the old ceiling vaults. The kitchen is the queen of the house, a site of conviviality and where Mauro and Claudia host the cooking lessons given by their friend Sara. This large spacious room has become a stage for a small theatre of the culinary arts, where each evening the curtains are drawn to reveal the delights that Sara, founder of the Circolo della Cucina, so passionately prepares, explaining to participants the secrets of exquisite dishes made from scratch, according to tradition.

Casa Emilia – Ph. Daniele Signaroldi

As we deepened our discovery of Casa Emilia, we realised that this residence is much more than a simple tastefully and elegantly restored flat.
It is a home tells the story of a deep friendship that binds Giovanna, Mauro, Claudia and Sara overlooking the heart of Piacenza.

Small curiosities.

Mauro and Claudia are artists and the owners of Casa Emilia. Mauro studied Literature, Philosophy and History of Arts at the universities of Bologna and Parma.
He worked with artists and intellectuals including the well-known writer and translator Gianni Celati, who was a meaningful teacher for Mauro.
In 1994 he decided to create the first table conversation and with this artwork the adventure of Elefante Rosso Produzioni has begun.

Claudia studied in the Academy of Art in Bologna and in the Faculty of Foreign Languages and Literatures. She took part in workshops and periods of studies in Italy and abroad. Her research is focused on the relation of the man and the sorrounding environment and on relations between the individual and the community.
She exhibited her works in Italy and abroad.

Giovanna is architect and works in Piacenza. She graduated at the Politecnico of Milano she renovated Casa Emilia. Giovanna has also collaborated with the ONLUS Associazione Architetti Senza Frontiere Italia ONLUS  where she still works.

Sara is a foodblogger.
Born and raised in Piacenza, she studied Art Graphics at the Accademia di Belle Arti and she works in the industry of communication. She loves cooking and sharing her homemade recipes with friends. From this passion the idea of a food blog has come out: “Il Circolo della Cucina”.

Casa Emilia and the food courses


Food & Drink

Artisanal gelato tradition and innovation


Our exploration of Emilia is next leading us to Anzola Emilia, a little town just outside Bologna, on Via Emilia, where you can find Carpigiani, the company that wrote the history of artisanal gelato with its gelato-making machines. Founded in 1946 by Poerio Carlo Carpigiani, who was born in Reggio Emilia and earned a degree from the University of Bologna in Economics and Business, Carpigiani is an industry leader in the manufacture of machines for making artisanal gelato and soft ice cream.

Photo Carpigiani Gelato Museum

Good Italian gelato, traditional gelato, the one we love so much, is a sweet delight celebrated in all of its forms and enjoyed well beyond the summer months. If you love gelato, too, and want to find out about its origins, we recommend a trip to the Museo del Gelato (the gelato museum), which was founded in 2012 by Carpigiani. Visiting the museum is a little bit like becoming children again, full of curiosity about how gelato was made once upon a time.

The Museo del Gelato will guide you through the evolution of gelato-making technology exploring three themes: the evolution of gelato, the history of gelato-making technology and ways of enjoying gelato. In the exhibition space, which spreads out over more than 1,000 square metres, you can admire twenty original machines and ten thousand photographs and documents that tell the story of one of best-loved treats in the world: artisanal gelato.

Photo Carpigiani Gelato Museum

But the surprises do not end there … if you want to transform your passion for gelato into a real profession, or even just spend a few hours exploring the theme through a course, check out the Carpigiani Gelato University. The school teaches gelato culture and its aim is to spread the passion for enjoying an artisanal food with the power to inspire strong emotions.

Carpigiani Gelato University Graduation Ceremony

How many memories revolve around a cone topped with chocolate gelato and whipped cream … or strawberry and lemon … indelible sensations that come back every time we have the chance to enjoy good artisanal gelato.
It is impossible to forget the muggy, hot days of summer, spent playing in the street with childhood friends and the uncontainable joy of sitting on a bench with a cone in hand topped with two scoops of colourful gelato; it seemed to be the best we’d ever had. Such a simple pleasure, that leaves us so content and full of happiness.

Long live gelato!


Translation by Blue